Lying Cable Face Pull
Also known as: Lying Face Pull, Supine Face Pull, Lying Rope Face Pull
Description
Lie face up on a bench under a high pulley and pull a rope down to your forehead to train your rear delts and the muscles between your shoulder blades. The rear delts do most of the work. Your middle traps pull the shoulder blades together, the infraspinatus (a rotator cuff muscle) turns your arms out as your hands finish beside your head, and the upper traps help a little. The bench holds your torso, so you can't lean back or sway as on a standing face pull. Use it as a warm-up before pressing, or when you rock on the standing version.
How to Perform
- Clip a rope to the top pulley of a cable column (a lat pulldown station works).
- Set a flat bench lengthwise in front, one end against the column.
- Lie face up with your head at the column end so the rope hangs straight down over your face. Knees bent, feet flat on the floor.
- Reach up and take one rope end in each hand just above the stoppers: palms facing each other, thumbs toward the pulley, wrists straight.
- Start with your arms straight up above your shoulders and the plates lifted off the stack. If they touch down, slide the bench or use a higher pulley.
- Press your shoulders down, away from your ears, then pull the rope toward your forehead as your elbows bend and travel out to the sides, down toward the floor.
- As the rope reaches your face, pull the ends apart until your hands sit beside your temples, upper arms level with your shoulders and elbows bent about 90°.
- Squeeze your shoulder blades into the bench for a second, then take 2–3 seconds to return along the same path to straight arms, plates still off the stack.
- After the last rep, let the stack down with your arms straight before you let go or sit up. Let go early and the rope whips up past your face.
What Muscles Work
Primary Muscle:
Secondary Muscles:
Tips
- Sets of 12–20 reps, 2–4 of them, suit this lift; stop 1–3 reps short of failure, or as soon as the hands no longer reach the spot beside the head. Add reps before weight: once you hit 20 on all sets with a one-second hold and your head still down, go up one step on the stack (usually 2.5–5 kg) and restart at 12. One plate can mean 10–20% more here, so expect a few sessions at each weight.
- Most of the burn sits at the back of your shoulders and between your shoulder blades, right where they press into the bench, and on the back of the shoulder blade as your hands turn out. A pinch at the front of the shoulder at the finish means you should stop with your hands slightly in front of your ears and take some weight off.
- As a warm-up before pressing or pulling, 1–2 light sets of 15–25 are enough. Can't reach the full finish yet? Stop with your hands just above your forehead. Too easy? Hold the finish for 2 seconds and take 3 seconds on the way up before you add load.
- Substitutes: Cable Face Pull, standing at a head-height pulley, when no bench is free under a high pulley; Seated Face Pull on the floor, which also keeps your body out of it; Banded Face Pull at home or as the easier version; Machine Reverse Flyes for the rear delts with your chest on a pad, straight arms and no rotation.
Common Mistakes
- Bench in the wrong spot. If the rope comes from behind your head, the pull turns into a pullover; from over your hips, it turns into a row. Slide the bench until the rope hangs straight over your face with your arms vertical.
- Rowing the rope to your chin or chest: the elbows drift toward your hips and your lats and biceps take over. Aim the middle of the rope at your forehead and keep your upper arms out to the sides at shoulder height.
- Lifting your head off the bench to meet the rope. The back of your head stays down; stop the rope just above your forehead.
- Stopping with your hands in front of your face and the rope ends still together. Pull the ends apart until your hands sit beside your temples, forearms angled toward the top of your head.
Recommended Exercises
Explore exercises related to Lying Cable Face Pull for shoulders training and similar movement patterns.
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